When What is Where

by Quantumspeck

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Use To Be 07:27
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Launder pt 1 07:24
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Are We OK 09:15
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about

“….Those instruments developed for today relate to the system of music they were designed for, and the music that will happen in the future has nothing to do with that outside of acknowledging the systems that are happening now. We don’t need notes any more. I’m looking for instruments that are not concerned with actual fixed pitches, instruments with whirls of sound in them.” - Anthony Braxton*



Rippling percussion/ drum set, melding new/old, traditional, digital only, found, sounds, mixing, controlling, capturing luck; a tumbler of sound, music, sound-music. What is a beat for? How crucial is timing? Maybe it’s better to think of repeatable/non- repeatable cycles.
On a keyboard each key is a gate keeper of a singular sound, even a composition in entirety. A piano is a keyboard with “eighty-eight tuned drums”*. Today’s digital world has greatly expanded those tuned drums and how they can be shaped and played.


To get lost in the digital world with its immensity of choice is to wander through the palette of sounds, sound configurations – a path with no distant visibility just the” hear” and now. Utilizing what works to make the music experience personal – a diary entry.

* from the book: As Serious As Your Life: Black Music and the Free Jazz Revolution, 1957–1977 by Val Wilmer and Richard Williams

credits

released January 1, 2020

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about

Quantumspeck Washington

Michael Kelsey is Quantumspeck. For several years focused on sound design working for Big Fish Audio & later, independently as Soundforest. The unique sample collection Voice Fusions received rave reviews from all the major electronic music magazines. Electronic Music called it “truly artistic sound design...”
These days there is less and less a distinction between sound design and music.
... more

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